Netflix was the big winner at Sunday’s Emmy Award ceremony, bagging best drama and limited series awards for “The Crown” and “The Queen’s Gambit” to finish on a joint-record overall haul of 44 awards.
Here are major highlights from television’s version of the Oscars:
‘Qwhite’ the Emmy ceremony
Hollywood’s record on diversity has come under the spotlight in recent years. A raft of nominees of colour at this year’s Emmys could have helped rebalance what has traditionally been a very white-dominated event.
African-American actors including Courtney B Vance, Sterling K Brown and Maya Rudolph won for guest roles or voiceover performances, awards that were given out ahead of Sunday’s gala.
There were gongs for Michaela Coel, writer of “I May Destroy You,” and reality presenter RuPaul.
But in the end, all 12 major acting prize winners went to white performers, with frontrunners such as the late Michael K. Williams missing out.
“This is…qwhite a list of Emmy winners!” tweeted author Mark Harris midway through the show.
Those who left us
The television industry lost two of its favourite sons in the weeks leading up to the Emmys.
Michael K. Williams, whose Baltimore stick-up man Omar Little was a key ingredient in the success of seminal HBO crime drama “The Wire,” died this month of a suspected drug overdose.
Kerry Washington (“Little Fires Everywhere”) praised “a brilliantly talented actor, and a generous human being who has left us far too soon.”
Williams missed out on a posthumous drama supporting actor prize, which instead went to Tobias Menzies of “The Crown.”
The late “Saturday Night Live” comic Norm Macdonald attracted plaudits, including from double-winner John Oliver.
“No one was funnier in the last 20 years than Norm Macdonald on late-night comedy,” said the “Last Week Tonight” host.
“If you have any time in the next week, do what I did and just spend time YouTubing clips of Norm and Conan (O’Brien) because it just doesn’t get better than that.”
Kate Winslet was one of several winners to praise Hollywood’s progress on female representation, both in front of and behind the camera.
“It means a huge amount because it makes me feel genuine that our industry is changing,” said Winslet, who took home the prize for best actress in a limited series for “Mare of Easttown.”
“I am honestly starting to feel that that the shifts are happening. And I think that we’re finger-pointing a lot less at women, in terms of how they look, their shape.”
But broader women’s rights issues were highlighted through the show, with career achievement honoree Debbie Allen urging women “from Texas to Afghanistan” to “claim your voice.”
And Coel, who penned “I May Destroy You” about the aftermath of a rape, dedicated her writing award to “every single survivor of sexual assault.”
After last year’s pandemic-mandated virtual event, nominees were welcomed back in person at the Emmys — but only a lucky few of them.
Each nomination earned a maximum of three invitations to the socially distanced 500-person, partially outdoor venue (the ceremony typically has an audience of 4,000-6,000).
“We were only allowed a small number to come so the show sent the hottest writers — which I understand is an oxymoron,” joked “Last Week Tonight” writer Chrissy Shackelford.
Even so, actor Seth Rogen joked early in the ceremony that there were “way too many of us in this little room.”
He added: “They lied to us. We’re in a hermetically sealed tent right now.”